First of all you’ll need to use your DAW to prepare your tracks, in this case we’re using Logic Pro X. So now you’ve recorded your clean D.I you’re ready to start reamping. The D.I box is placed first in the signal chain because you need to ensure you capture a completely clean (free from fx or distortion) guitar signal, which you’ll then be able to send into an amp. However if you’re planning on recording your amp and reamping later then you’ll need to have a couple of pieces of equipment, the most important of those being a D.I box, reamp box and of course an audio interface. If you don’t have an amp to record with or you’re not wanting to record with your own amp, then all you’ll need to do is plug into your interface and record a clean D.I track. Re-amping means you’re able to get the performance down and worry about tone later. Most of the time you’ll find that an idea hits you in the middle of the night when you’re not able to plug into your noisy amp. Reamping is especially useful if you’re recording in a non-studio setting. If you’re not happy with the original tone you recorded, reamping essentially acts as undo (or redo) button meaning you’re able to keep the same performance but tweak the tone of the amp, audition different pedals and experiment with multiple microphones and placement. Radial is proud to continue the Reamp tradition with the new JCR.Reamping is often something that’s overlooked whilst recording, however it can be a lifesaver if your guitar tones aren’t quite what you’re looking for.Īs the name suggests, reamping is the act of capturing a both a clean D.I and your amped sound simultaneously, therefore enabling you to play it back through any guitar amp at a later date and re-recording that tone. In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. ![]() And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. ![]() With today's unlimited track capabilities, Reamping is now accessible to everyone. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. The latest Radial version features separate XLR and ¼" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. ![]() It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. Best of all, you can Reamp the track later as the production develops. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. The Reamp® JCR™ is a passive Reamper™ that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it.
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